Who said you can’t take it with you? Our MultiMix line combines studio-quality components and effects processing with rock-solid construction for the ultimate in compact mixers — all at prices wandering musicians will love.MultiMix FX mixers are the most compact, affordable, high-quality mixers with built-in 28-bit digital effects and choice of configurations.For those who don’t need effects, but want 12 channels of transparent Alesis sound packed into a three-space rack, we offer the MultiMix 12R.

Even with the increasing use of powered speakers, many popular speakers and headphones still require external amplification.These new amps are designed to provide more power and better performance at a lower overall cost per watt than even our own RA100 – as well as any other competing models. As a result, they can more closely match the power needs of virtually any passive speaker or studio monitor, offering a significantly better fit for an exceptionally wide range of budgets, applications and customers. And providing a crisp, clean signal for outstanding performance and extended speaker life.Cool, quiet operation.Designed for studio use, each RA series amp incorporates advanced convection cooling for heat dissipation. The result is long, stable operation unaffected by heat-related complications, without the added distraction and annoyance of fan cooling. And eliminating the danger of losing hard-to- hear details due to noisy amp performance.

GuitarLink makes it easy to direct-connect nearly any guitar, bass, or other line-level audio source to USB for mono recording. The AudioLink Series USB-audio cable outputs studio quality 16-bit, 44.1 kHz digital audio thanks to its internal analog-to-digital conversion system. GuitarLink connects plug-and-play to your Mac or PC for an all-in-one USB audio solution. (Computer and guitar not included)

Shape your sound with the perfect tone -- using your Mac or PC! GuitarLink Plus combines Alesis’ GuitarLink guitar-to-USB cable with Native Instruments Guitar Rig LE software to empower every guitarist with the processing capability of his or her computer.Whether you're recording, performing or practicing, GuitarLink Plus enables you to easily connect guitars, basses, and other instruments directly to your computer. GuitarLink Plus’ internal, analog-to-digital conversion injects studio-quality, 16-bit, 44.1 kHz digital audio straight to a computer without the need to install drivers.Guitar Rig LE software shapes guitar sound with emulations of classic amplifiers and effects pedals. You can record your performances right in Guitar Rig and export it to your favorite recording software, or connect it to your amp or PA system for performance.

The iO2 EXPRESS is a compact, audio-recording interface for home studios and portable recording setups. This two-channel USB device for Mac and PC-based systems enables you to record at up to 24-bit resolution for input into virtually all DAW, recording, and performance software.This compact recording interface is small enough to comfortably fit into your mobile recording rig, laptop bag, or backpack, yet contains high-quality components and circuitry suitable for the studio.Discrete-design preamplifiers and true 48-volt phantom power ensure that you capture microphones’ complete signal. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets recorded – and played back on your monitoring system. It’s class compliant, so you can use the plug-and-play iO2 EXPRESS with virtually any computer.The iO2 EXPRESS is USB bus powered so you won’t need to carry a bulky power supply, and its performance is optimized for minimal laptop battery drain so you’ll be able to track long sessions and gigs remotely.

The iO4 packs power and function into a compact package. No matter which recording software you like, how many microphones and preamps you have, or how large your library of plug-ins and VSTs, you need a way to get audio into your computer.The iO4 is a compact audio-recording interface for home, project and portable studio recording setups. This four-channel USB device for Mac and PC-based systems enables users to record and monitor up to eight channels of audio (four in and four out) in 16-bit mode or four channels (two in, two out) in 24-bit mode. The iO4 is compact to comfortably fit into a mobile recording rig, laptop bag or backpack, yet contains high-quality components and circuitry suitable for the studio.The iO4 has four input channels, each having an XLR microphone input, a 1/4-inch TRS insert for external effects units and a 1/4-inch TS jack that works with line-level sources and can accommodate direct connection of guitars. The iO4 features discrete-design preamplifiers and 48-volt phantom power on each of its four input channels as well for use with virtually all microphones and audio sources.Producers and musicians will appreciate the ability to connect a second pair of reference monitors or route audio to external effects processors using iO4’s four available output channels. For remote tracking and alternative playback, the iO4 has a 1/4-inch TRS headphone output.

LineLink makes it easy to direct-connect nearly any mixers, keyboard, sampler, sequencer, drum machine, or other stereo, line-level audio source to USB for stereo recording.The AudioLink Series USB-audio cable outputs studio quality stereo, 16-bit, 44.1 kHz digital audio thanks to its internal analog-to-digital conversion system. LineLink connects plug-and-play to your Mac or PC for an all-in-one USB audio solution.

MicLink makes it easy to direct-connect any dynamic microphone to USB for mono recording. The AudioLink Series USB-audio cable outputs studio quality 16-bit, 44.1 kHz digital audio thanks to its internal analog-to-digital conversion system. MicLink connects plug-and-play to your Mac or PC for an all-in-one USB audio solution.Microphone, mic stand and computer not included.

The MultiMix 4 USB is a four-channel desktop mixer with a USB digital audio interface built in. This compact mixer is perfect for using in basic computer-recording setups, video editing and production studios, and portable podcasting setups because it outputs not only line-level analog audio, but also stereo 16-bit, 44.1 kHz digital audio over USB for low-noise, easy computer connection. You can also monitor back from your computer through the same USB connection.The MultiMix 4 USB mixer has four input channels, all of which can accept a 1/4" line input. You can can plug XLR microphones into channels one and two, including condensers thanks to the mixer's switchable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input.

Record your turntable, tape deck, or mixer in stereo to your computer.PhonoLink makes it easy to direct-connect nearly any turntable, tape deck, mixer, or other stereo, line-level audio source to USB for stereo recording.The AudioLink Series USB-audio cable outputs studio quality stereo, 16-bit, 44.1 kHz digital audio thanks to its internal analog-to-digital conversion system. PhonoLink connects plug-and-play to your Mac or PC for an all-in-one USB audio solution.

This compact mixer is perfect for using in small recording setups, video production studios and portable applications. Offering microphone inputs with phantom power, instrument inputs for connecting guitars and line-level inputs for connecting everything else, the MultiMix6 USB delivers pristine audio output and hassle-free computer recording via USB.The MultiMix 6 USB mixer has six input channels, all of which can accept a 1/4" line input. You can can plug XLR microphones into channels one and two, including condensers thanks to the mixer's switchable 48V phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input.Channels one and two offer switchable high-pass filtering at 75Hz to eliminate low-frequency rumble, handling and wind noise. Each channel has a pan control and channels one, two, three, and four provide high and low-shelving EQs. Channels one and two have independent gain trims, while channels three/four and five/six are configured as stereo pairs at the level and pan controls.

The Alesis MultiMix 16 USB 2.0 mixer provides USB 2.0 technology for ultra–fast, low–latency, 24–bit/44.1–96kHz (with high–end A/D and D/A conversion) multi–channel audio recording straight to your computer.Designed with low–noise analog electronics, the MultiMix 16 USB 2.0 mixer lets users take advantage of 100 studio–grade 28–bit digital effects. Whether used for mobile or studio recording, the MultiMix 16 USB 2.0 mixer makes recording high–quality audio to your computer fast and easy.The MultiMix 16 USB 2.0 mixer is also bundled with award–winning Cubase LE software for instant creativity right out of the box.

The MultiMix 16 USB FX is a live and recording mixer with built-in effects that doubles as a computer recording interface so you can mix, record, or do both at the same time. Whether you are mixing a band or sub-mixing a group of inputs such as a drumset, the MultiMix 16 USB FX is easy to use, rugged, and packed with features. Offering microphone inputs with phantom power, guitar-direct inputs, and line-level inputs for connecting everything else, plus a selection of stage-ready effects, the MultiMix 16 USB FX delivers clean audio to your PA and recording systems.COMPLETE INPUTSThe MultiMix 16 USB FX features eight XLR inputs with independent gain faders. These XLR inputs also have a switchable phantom power option to accommodate both dynamic and condenser microphones. 1/4" line inputs are also available on all 16 channels. A high-impedance input on channel two enables direct connection of a guitar or bass – a great convenience for singer/songwriters looking to get a clean, "hot" signal. A Tape RCA stereo input is also included adding the ability to mix in audio from other sources such as a CD or LP player.

The Alesis MultiMix 8 USB 2.0 mixer provides USB 2.0 technology for ultra–fast, low–latency, 24–bit/44.1–96kHz (with high–end A/D and D/A conversion) multi–channel audio recording straight to your computer.Designed with low–noise analog electronics, the MultiMix 8 USB 2.0 mixer lets users take advantage of 100 studio–grade 28–bit digital effects. Whether used for mobile or studio recording, the MultiMix 8 USB 2.0 mixer makes recording high–quality audio to your computer fast and easy.The MultiMix 8 USB 2.0 mixer is also bundled with award–winning Cubase LE software for instant creativity right out of the box.

This compact mixer with built-in effects doubles as a computer recording interface so you can mix, record, or do both at the same time. Whether you are mixing a band or sub-mixing a group of inputs, such as a drumset, the MultiMix 8 USB FX is easy to use, rugged, and packed with features. Offering microphone inputs with phantom power, guitar-direct inputs, and line-level inputs for connecting everything else, plus a wide range of effects, the MultiMix 8 USB FX delivers clean audio to your PA or recording system plus hassle-free computer connection.MultiMix 8 USB FX features four XLR inputs with independent gain pots on channels one through four. These XLR inputs also have a switchable phantom power option to accommodate both dynamic and condenser microphones. TRS Line inputs are also available on all eight channels of MultiMix 8 USB FX. New to the MultiMix 8 USB FX is a high-impedance input on channel two, which allows direct connection of a guitar or bass; this is a great convenience for singer/songwriters looking to get a clean, "hot" signal. A Tape RCA stereo input is also included adding the ability to mix in audio from other sources such as a CD or LP player.

This velocity-sensitive kick drum pad features a real mylar drumhead and triple-flanged hoop for the most natural, acoustic drum feel. You can adjust its head tension with a standard drum key, and the head is replaceable with any standard 8” head. You can use it with virtually all single and double bass drum pedals and beaters and its integrated stand features adjustable spikes for holding its position on carpet. It works with virtually all e-percussion modules and devices including the DM10, DM5, Trigger|iO, and ControlPad. (pedal not included)

Since its introduction, the 3630 Compressor™ has become the most popular dynamics processor ever made. The reason is easy to understand: it provides two independent full-featured compressor/ limiters in one rack space while offering excellent sonic quality for any application from studio recording to live sound or broadcast. The 3630 offers Ratio, Threshold, Attack and Decay controls to customize its compression response for even the toughest signals. You can also choose between RMS and Peak compression styles, plus Hard and Soft Knee dynamic curves for every application from subtle gain control to in-your-face punch. As an independent dual-channel compressor, the 3630 offers separate controls for two different source signals. Plus, two fully independent gates with threshold and rate controls allow you to easily and efficiently stifle unwanted ambient noise. Other advanced dynamics processing features such as precise signal metering, a sidechain for keying or ducking effects and stereo linkable operation make the 3630 the most powerful compressor in its class.

It wouldn’t be a stretch to call Alesis “The Graphic EQ Company.” Our MEQ230 is a standard in sound installations and studios, and the DEQ series now carries the torch with a groundbreaking approach to digital graphic EQs — for every application andbudget — that’s taking engineers by storm.The DEQ830 is the world’s most affordable 8-channel 1/3-octave digital graphic EQ. Though it fits in a compact one-space rack, we didn’t skimp on connections or features. Sonic performance is superb, with 1/4" TRS balanced and ADAT Optical I/O. Change any of 30 bands on eight discrete channels with the press of a button. Get instant, slider-style visual feedback rather than squinting at a tiny LCD. And store your changes in 100 user programs, with 50 curve templates to get you started in any room.

The MicroVerb4™ is designed to provide a wide variety of great-sounding, easy-to-use effects for small studios, engineers and performing musicians. The key to MicroVerb 4's power is in its simplicity. It offers 200 programs that include everything from high-quality reverb, delay, chorus and flange to exciting multieffects and more. To customize your programs, two front panel knobs allow for quick, easy, user-storable edits, or use its MIDI inputs for control over program changes and modulation. You can then save your edited programs in the 100-space user program bank. Even though it's affordable and easy to use, the MicroVerb 4 offers the superb audio quality that you should expect from every Alesis processor.

The MidiVerb™ 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects. The MidiVerb 4 offers 18 bit A/D and D/A converters and 24 bit internal processing for a 20Hz-20kHz bandwidth and 90dB dynamic range, making it ideal for digital recording. Plus, its valuable Auto Level Sensing™ feature can instantly set the optimum input levels...a great time-saver. MidiVerb 4's thirty-two effects algorithms give you a complete arsenal of fully programmable effects, many using true stereo parallel processing. You can take advantage of the 256 powerful programs with 128 spaces for user-created effects. With its easy-to-use graphic interface, programming your own effects is a snap. And by using MidiVerb 4's MIDI controller routing and assignable footswitch input, you'll have complete creative control over every aspect of your sound.

The NanoVerb™ gives you sixteen of Alesis' best preset effects algorithms in a compact, easy-to-use and incredibly affordable package. You'll enjoy its lush hall, plate and room reverbs, rich true stereo chorus, flange, delay, rotary speaker emulation and useful multieffects. Plus, NanoVerb's 18 bit digital converters ensure the sonic quality that allows you to use it for any effects application from guitar rigs to studio recording. The front panel adjust knob allows you to tweak NanoVerb's great-sounding programs until they're just right for your music, while the Input/Output levels and Mix controls ensure proper effect levels for a wide variety of applications. Plus, with its amazing low cost, you can afford to put two or three NanoVerbs in your rack for dedicating to multiple sources.

The iO Dock (patent pending) is the first device that enables anyone with an iPad to create, produce, and perform music with virtually any pro audio gear or instruments. The iO Dock is a universal docking station specifically designed for the iPad, and it gives musicians, recording engineers, and music producers the connectivity they need to create and perform with iPad. Connect all your pro audio gear to virtually any app in the App Store with the iO Dock.FLEXIBLE FUNCTIONALITYSongwriters, music producers and performers of all kinds will find that the iO Dock connects the iPad’s powerful processor, touch-screen interface and extensive library of apps to their collection of microphones, instruments, professional speaker and PA systems, MIDI controllers, sound modules, video projectors and much more.With the iO Dock and an iPad, musicians and producers can record, perform, craft and create music in virtually any situation or location. Built to accommodate all current app-development standards including Core MIDI, the iO Dock is a universal device that bridges your choice of music-creation apps, instruments, and devices.COMPLETE CONNECTIVITYThe iO Dock provides microphone and instrument users with two combination XLR and 1/4-inch inputs, each with its own gain control and switchable phantom power for condenser microphones. Guitarists and bassists will appreciate the iO Dock’s guitar-direct switch, enabling them to play, perform and record right into amplifier- and effects-modeling apps. Bands can connect outputs from their mixer and easily record their performances and rehearsals or use the iO Dock as a metronome or loop-playback device. Producers can use the iO Dock’s MIDI jacks to sequence external keyboards, samplers, drum machines and synthesizers, or perform using the iO Dock as the sound module and their favorite MIDI-compliant keyboard, drum pad or other controller. An assignable 1/4-inch footswitch input enables remote control of any app-defined function such as stop/start or record. Users can also connect the iO Dock to their Mac or PC using the USB port to send MIDI back and forth for creative, new applications of the iPad and computer used in tandem.Users can connect the iO Dock’s stereo pair of 1/4-inch main outputs to studio monitors for critical listening, or to PA systems for use in performance settings. They can monitor on headphones, and independently control the levels of the two outputs, each on its own knob. Recording musicians will appreciate the iO Dock’s direct-monitor switch, which enables them to toggle between the incoming and playback signal on their headphones. Rounding out the iO Dock’s output section is a composite video connector, enabling users to employ the iO Dock as a source for video projection behind bands on stage, or for connection to most televisions and computer monitors.

USB-MIDI cable MIDI to USB (Mac or PC)

The iMultiMix 9R is a one-of-a-kind, rack-mounted tool for mixing and playback directly from an iPod. Video output equips the iMultMix 9R for use in nearly any venue as the ideal audio and video playback device.This sturdy, compact, all-in-one rack-mounted mixer with integrated iPod player features 5 mic / line inputs with inserts to allow for easy external processing of incoming signals. In addition, two stereo line inputs are included, one of which can be switched between line and iPod playback.The iMultiMix 9R also features 2-band per channel EQ, Mic/Line inputs and iPod playback in a single, intuitive package. The iMultiMix 9R can playback music from the iPod and mix your live performances instantly with iPod (Classic and 5th generation) or iPod nano (2nd and 3rd generation). This makes the iMultiMix 9R perfect for using the iPod as a backing track for solo or band performances, while mixing sound sources all in one compact, convenient place.

2 channel scratch mixer

MultiMix 8 Line is an ideal mixer for the stage, studio, boardrooms, conference rooms, health clubs, restaurants, houses of worship, and more. MultiMix 8 Line is also a great fit for any band's live rig, especially for keyboard players and multi-instrumentalists who need to mix or sub-mix multiple sources.MultiMix 8 Line features eight stereo channels with a mic/line input on channel one and stereo effects send and return. When a mono signal is present on any input or stereo send, the Left signal is automatically summed to mono for mono or stereo compatibility. Connect two MultiMix 8 Line mixers with inexpensive, common TRS cables, and they share the same mix bus for 16 stereo input channels. There is also an effects bus so you can even share the same reverb, compressor, or other effects chain between two linked mixers.Keep an eye your mix with simple, intuitive signal clip and overload LEDs for each input and a five-stage LED level indicator at the main output.This generously featured 1RU line mixer is at home or on stage as it is in a machine room, and it's half the price of the competition. Whether you're a professional musician, an audio contractor, or an A/V consultant, MultiMix 8 Line is the tool to get the job done.

Jam along with your iPod! JamDock is the cleanest way to integrate your iPod into your practice or live music setup. You can connect and mix in nearly any instrument including electronic drums and send your mix to the stereo outputs and headphone output.JamDock is the first dock for iPod that was designed specifically for musicians. Nearly every musician has an iPod, but until JamDock, there has never been an easy and clean way to integrate your iPod into your practice or stage setup.JamDock enables you to mix your iPod and your instrument and practice with headphones, amp, or PA system. You can also use your iPod to play backing tracks live. JamDock has two 1/4" inputs that work with both line-level sources and high-impedance guitars and basses. The inputs sum to mono when there is only one side present, so you'll hear your guitar on both sides of your headphones. A pair of 1/4" outputs feed your amplifier or PA system, and a 1/4" stereo output feeds your headphones.

HD24 is the world's first 24-track hard disk recorder designed to fit into any ADAT environment and match ADAT's legendary performance and affordability.HD24 is built exclusively for the purpose of recording music instead of data, resulting in remarkable stability and performance. HD24 enables engineers to record up to 24 tracks of high-resolution 24-bit recording at 44.1 and 48 kHz sample rates.Two hot-swappable media bays provide convenient access to recording drives and allow data backup in minutes. You can edit tracks internally or easily transfer to computer via an Ethernet connection.HD24 features ADAT Optical and ADAT Sync, enabling it to work efficiently with existing systems. It offers the same exceptional user-friendly interface ADAT users have come to expect.

Record stereo or four-capsule omni audio directly to an SD card with the pocket-sized PalmTrack. You can capture live sound anywhere and anytime without a single cable! The PalmTrack is perfect for recording quality sound in a wide variety of settings from rehearsals, jam sessions, and gigs to conferences, lectures, and classes to interviews and meetings. The possibilities are virtually limitless.Recording with the PalmTrack is easy and flexible. Just insert the included batteries and SD card and press record! You can monitor while recording in headphones and watch the real-time level meters, or just switch on Auto Mic Gain and let the PalmTrack take the hassle out of recording. When you’re done recording, you can check out your recordings on the PalmTrack’s built-in speaker, using your own headphones, connecting the PalmTrack to your Mac or PC with its mini USB jack, or by removing the SD card and inserting it into your computer’s SD card slot or reader.While you’re tracking, you’ll be able to easily tell that the PalmTrack is recording thanks to its red Record light. You can easily switch the mics’ gain from high to low with the left-side switch, and you can adjust the input level with the up and down buttons on the right.

Record stereo audio directly to your iPod with ProTrack. Capture live sound on your iPod anywhere and anytime without a single cable, and with one hand free! Just dock your iPod and cover it with the protective clear shield, and you're ready to roll.You can record detailed, 16-bit, 44.1kHz or 22kHz stereo digital audio without connecting any additional equipment using ProTrack's onboard pair of cardioid condenser microphones. The on-board mics are fixed in XY configuration for optimal stereo imaging. ProTrack also has a pair of combo XLR-1/4" inputs enabling you to connect any professional sound source, including condenser and dynamic microphones and mixer outputs. Whether you are running on plug-in or battery power, ProTrack supplies 48V phantom power to its inputs for operation with external condenser microphones.ProTrack has LED-level metering for instant visual indication, even in a dark club. You can monitor or play back recordings on the 1/8" stereo-headphone output. Controls for phantom power, limiter, and volume are easy to access.ProTrack records on four AAA batteries or AC power using the included adapter. A 1/4"-20 threaded mounting point enables you to mount ProTrack on a mic stand with the optional ProTrack Adapter, on a table with the optional ProTrack Tripod table stand, or on a camera tripod for hands-free tracking.ProTrack automatically dates and time-stamps files so it's easy to identify which track was the recording of the acoustic-guitar folk duo last Tuesday at happy hour, and which was the flailing hard-rock drummer from Friday night. And speaking of that percussive dynamo, you'll appreciate ProTrack's switchable limiter which ensures that your recordings are distortion-free.ProTrack is the most convenient way to capture sound effects, recitals, jam sessions, speeches, interviews, rehearsals, performances, meetings, lectures, notes-to-self, and anything else you can thing of... directly to your iPod."iProRecorder™ for iPod Touch (shown here) is compatible with ProTrack and may be purchased from the iTunes app store. Visit www.iprorecorder.com for more info.ProTrack records to iPod Classic 7th and 6th generation, 5th-generation iPod, 3rd and 2nd-generation iPod nano, 2nd-generation iPod Touch, and iPod nano-chromatic. Sleds are not included for nano-chromatic and nano 2G.

This threaded adapter includes everything you need to mount your ProTrack hand held recorder for iPod on a 5/8" mic stand.

ProTrack is the perfect portable recorder for iPod, but when you're finished using ProTrack on the road, chances are you will want to get additional mileage by using it in the studio.Likewise, if you want to use the power of ProTrack for office meetings, impromptu studio recording sessions, or other places where a flat surface is available, the ProTrack Tripod is just what you need.This table stand is designed for flexible positioning of ProTrack on a table or other surface.

Looking for a compact, no-hassle MIDI controller for all your music software and hardware needs? Tired of keyboard controllers jammed with knobs and sliders you'll never use? Are you ready to just plug and play? If yes, the Q series of MIDI keyboard controllers is for you.The Q25 is a 25-note, velocity-sensitive, MIDI keyboard controller with USB and traditional MIDI ports that enable you to connect to almost all MIDI equipment including software and sound modules. Thanks to Pitch and Modulation wheels, backlit Octave Up and Down buttons, and a Volume/Data Entry slider, you can add expression, range, and dynamics to your performances quickly and effortlessly.Simply connect the Q25 to your computer with the included USB cable and you're immediately ready to begin making music. A single USB cable supplies power and data connection, and you won't even need to install drivers to make the Q25 work. The Q25 is class-compliant, which allows you to skip the programming and start playing instantly.

The Q49 is a 49-note keyboard controller that works with virtually all music software and MIDI hardware devices. The compact controller features USB-MIDI and traditional MIDI jacks for easy connection to Mac, PC and MIDI hardware.The Q49 provides keyboard players with a full compliment of controls including pitch and modulation wheels, octave up and down buttons, an assignable data slider, and the ability to send program changes from the keys.The Q49 comes with a copy of Ableton Live Lite, Alesis Edition software, for performing, recording, and sequencing music right out of the box. The Q49 is also the perfect choice for controlling hardware MIDI devices. Its compact size and portability make it ideal for fitting into existing rigs and then hitting the road. Place it a tier above an existing workstation keyboard and utilize Q49's streamlined layout to maximize your sound and performance options. You can even send Program Changes from the Q49's keys to change programs, patches, and more.

Take commanding, tactile control over any parameter of your favorite music software with the QX49. Through standard USB connection, the QX49 receives power while also transmitting MIDI data to your Mac or PC software or hardware device of choice. Punch out a drumbeat on great-feeling pads, open up a filter with smooth, tight knobs, or adjust volume and playback of sequencing software with long faders and snappy buttons. QX49's immense parameter control and velocity-sensitive keyboard get your hands off of the mouse and into the action for a more efficient, visceral music-making experience.With a 49-note keyboard, the QX49's pitch range is perfect for performing with software instruments and samplers while still remaining highly portable. Furthermore, the Q49 provides keyboard players with a full compliment of controls including pitch and modulation wheels, octave up/down buttons and the ability to send program changes directly from the keys. The QX49's keyboard can even be split into sections to control multiple instruments at once!The QX49's array of assignable controls work with virtually all music software and MIDI hardware devices. Whether you're looking to fire drum samples, tweak a software synthesizer or adjust individual tracks in a mix, the QX49's extensive layout ensures appropriate feel and proper response with its eight sliders and rotary knobs, four backlit drum pads and dedicated transport controls.The compact controller features USB-MIDI and traditional MIDI jacks for easy connection to Mac, PC and MIDI hardware. The QX49 also has two traditional MIDI jacks: one for sending MIDI data directly from the keyboard and the other for routing MIDI data from a connected computer. When not using a computer, the QX49 can also be powered using a wall power adaptor (sold separately) to perform and control MIDI hardware. A footswitch input is also included on the back panel.The QX49 comes with a copy of Ableton Live Lite Alesis Edition software for performing, recording, and sequencing music right out of the box. The QX49 is also the perfect choice for controlling hardware MIDI devices. Its compact size and portability make it ideal for fitting into existing rigs and then hitting the road. Place it a tier above an existing workstation keyboard and utilize QX49's streamlined layout to maximize your sound and performance options.

The micron is an eight-voice analog-modeling synthesizer. Despite its small size, you'll be impressed with the micron's big sound. Whether you use a synth to accompany you on stage or in the studio, and whether you prefer to work with the hundreds of preset Alesis sounds or create your own, the micron is the perfect companion. The micron also contains a powerful sequencing section with phrase, step, and drum sequencing, an arpeggiator, and stereo effects.The micron has two multi-mode filters, three envelope generators, and two LFOs: the full spectrum of synthesis components for shaping and creating sonorities and textures. For stage and studio-ready quality, the microne has 24-bit audio outputs and inputs via balanced connections.Each of the micron’s voices contains two filters, and each filter can be one of the following different types, each with its own character and sonic flavor: Bypass, Low Pass: ob 2-pole, tb 3-pole, mg 4-pole, rp 4-pole, jp 4-pole, al 8-pole; Band Pass: ob 2-pole, al 6-pole, octave dual, band limit; High Pass: ob 2-pole, op 4-pole; three Vocal Formants, four Comb Filters, Phase Warp, Frequency, Resonance, Key Tracking, Envelope Amount, Offset, and Absolute.Each of the micron’s voices contains two LFOs, each of which offers rate, depth, shape, and tempo sync; and three envelopes: Amp Envelope, Filter Envelope, and Pitch/Modulation Envelope.

The M1 Active 520 is the third generation of the acclaimed Alesis M1 Active Series. The M1 Active 520 offers incredible bass and midrange definition and flat frequency response from its high-precision driver and professionally crafted crossover.With a bold new look, redesigned driver, bass density control and EQ, this affordable, high-precision active reference monitor delivers superb sonic clarity.

The M1 Active 620 is the third generation of the acclaimed Alesis M1 Active Series. The M1 Active 620 offers incredible bass and midrange definition and flat frequency response from its high–precision driver and professionally–crafted crossover.With a bold new look, redesigned driver, bass density control and EQ, this affordable, high–precision active reference monitor delivers superb sonic clarity.

By combining our expertise in reference monitor design with our proven track record in studio amplification, Alesis' new M1 Active™ Biamplified Reference Monitor offers the incredibly accurate response that perfectly translates to every playback system. Its internal active crossover and custom-designed dual amplifiers ensure an extremely consistent performance under a variety of different studio conditions and program material. The result is a broad, extremely flat frequency response, clear imaging with a wide sweet spot, high power handling and detailed high- and mid-frequency response that only a professional powered monitor can deliver.

The TransActive Drummer is the amplifier designed for today's electronic drummer. This complete, active system contains a powerful, active two-way speaker wedge with two sets of inputs, stereo outputs, and a dock for iPod. It's perfect for practicing alone or playing with a band.Because it's a full-range amplifier, the TransActive Drummer is also great for use with other instruments such as keyboards. You can use it for practice, amplification at the gig, or as a foldback monitor wedge.The TransActive Drummer also comes with a trial subscription for 10 free drumless songs from minusDrums.com for fun play-along sessions.INPUTS AND OUTPUTSThe TransActive Drummer enables you to connect your electronic drumset, as well as an aux source such as a metronome or sequencer. The dock for iPod enables you to mix and play along with your music. You can link two TransActive Drummers together with a common 1/4" TRS cable for stereo performance with double the inputs and double the power. The amp also has line-level 1/4" stereo outputs so you can connect it to a PA system or record your sessions.The front panel gives you access to volume, three-band EQ, level control for iPod, and a 1/4" headphone jack. When connected, headphones mute the speaker for late-night jamming without bothering the neighbors.SPEAKER SYSTEMThe TransActive Drummer has a large, 10" woofer that plays down below most kick drums, and a 1" tweeter that makes cymbal sounds sparkle. The amplifier provides 50W RMS so you'll always have plenty of power. When you link two TransActive Drummers together for stereo performance, you get a 100-watt system that's ready to take on any guitarist's rig!Transporting the TransActive Drummer is easy because it has pro-grade handles recessed into the left and right sides. It has a switchable power supply so it works anywhere in the world.

M1Active 520 USB is a studio monitoring system designed for professional studio use with an internal digital-audio interface. M1Active 520 USB is a pair of active, bi-amplified, two-way reference monitors that play from 20,000 Hz all the way down to 56 Hz to cover nearly all frequencies audible to human ears. You can take USB digital signal out of your computer via USB and input it to M1Active 520 USB for low-noise, low-distortion performance. Priced attractively for any studio's budget, M1Active 520 USB perform with linearity, clarity, and neutrality typically reserved for monitors that cost much more.

Just a few short months after its introduction, Alesis Monitor One Studio Reference Monitor was a winner of the prestigious TEC Award, and on its way to becoming one of the most popular near field speakers on the market.Crisp flawless sound, super-flat wide frequency range, clear imaging, high-power handling and excellent bass transient response. These features add up to a unique ability to create incredibly accurate mixes that translate perfectly to every playback system.Monitor One became an instant favorite among professional engineers and studio owners. With such a successful platform to build on, Alesis’ engineers wisely settled for incremental improvements designed to coax even better performance from our monitors.They started with a new 6.5” polypropylene low-frequency driver for tighter, more accurate bass response. Then matched it with a newly redesigned, 1” pure silk-dome, high-frequency transducer for even smoother, more accurate detail and response, and a broader sound stage.They improved the overall frequency response (changing from 45 Hz – 18 kHz, to 45 Hz – 20 kHz +/- 3 dB) and coupled it with more efficient power handling. They also provided magnetic shielding to allow use in close proximity to video and computer monitors. The cabinet was redesigned for a new and more attractive professional finish, and are now mirror image; left/right pair for symmetrical speaker placement.Monitor One Mk II also features radiused edges for reduced edge diffraction, along with improved porting – thanks to the next–generation of our exclusive SuperPort venting technology – to eliminate the “choking” effect of smaller, shorter ports. The result is a low-frequency response which extends well below comparable near field monitors.It all adds up to a spectacular next-generation of a popular standard - the new state-of-the-art in affordable, high-quality studio monitors.

Complete 4 channel 2 way mobile PA with battery, iPod dock, XLR and 1/4”, handles and recessed wheels TransActive Mobile is the perfect PA system for outdoor parties, mobile musicians, business meetings and sporting events. A built-in retractable handle and flight-case style roller wheels allow this PA to travel with you wherever you go.Simply attach your CD player, musical instruments or the included microphone and you're ready to rock. The integrated Universal Dock for iPod lets you quickly and easily dock your iPod right in the top, for fast control and playlist changes.A long-lasting rechargeable battery, a high-efficiency amplifier with four inputs, sturdy aluminum construction and portable design, ensures the TransActive Mobile can be taken anywhere and everywhere.Perfect for outdoor parties, live gigs, business meetings, sporting events, and tailgate parties.

Complete 4 channel 2 way mobile PA with battery, iPod dock, XLR and 1/4”, handles and recessed wheels Remember when playing a simple show and setting up the PA meant moving racks and racks of gear, lugging hundreds of pounds of speakers, and running miles of cables? Those days are over, thanks to the Alesis TransActive MX. This all-in-one, four-channel PA speaker gives you everything you need to play the show, play transition music from your iPod or iPhone, and load in and out in comfort.The TransActive MX is a complete, active PA system in a single, portable cabinet you can carry with its built-in handles or roll using the recessed wheels and pull-out handle. The system has a four-channel mixer built in with XLR and 1/4-inch inputs for microphones, all kinds of instruments, guitars, and more. Plus, the TransActive MX has a dock for all docking models of iPod and iPhone, playing music, and charging. This self-powered speaker has a built-in amplifier and a two-way loudspeaker for full-range sound. And it runs for hours and hours on its internal, rechargeable battery.The TransActive MX's input section enables you to connect four channels of microphones, instruments, guitars, and other sound sources. It has XLR, 1/4-inch, and RCA inputs for a variety of gear.The TransActive MX uses a built-in amplifier for low distortion and high efficiency. The large driver gives you great low end and powerful, crisp highs.The TransActive MX has a built-in rechargeable battery for hours of cordless amplification. You can also plug in for unlimited performance time.Rock the club with the TransActive MX. You'll spend less time and energy carrying and setting up, and more time enjoying the gig.

The Trigger|iO is the easiest way to connect electronic drum and cymbal pads or acoustic drum triggers to a wide range of MIDI sound sources. Use up to ten trigger inputs to play traditional MIDI devices like drum machines, sound modules and synthesizers, or connect the USB output directly to your computer to play software drum modules or lay down tracks in your favorite MIDI sequencer application. You can capture every nuance of your drumming performance into the MIDI world using the Trigger|iO.Featuring both USB-MIDI and traditional DIN MIDI connectivity, you can use the Trigger|iO with a wide variety of gear. The inteface has ten TRS trigger inputs so you can use it with single or dual-zone pads and triggers, and even split the inputs with Y-cables for even larger custom setups. You can also use the Trigger|iO to expand the pad inputs of virtually and drum module from any manufacturer.The Trigger|iO has a hi-hat control input that works with both continuous and switch-style hi-hat pedals so you can deliver all of the open-to-closed detail you’re used to on the hi-hat. It also has a footswitch input for controlling other parameters like changing kits with your foot.You can create up to 20 setups and store them in the Trigger|iO's memory. Advanced customizable programming capabilities include sensitivity, MIDI-channel assignment, note number, crosstalk, velocity curve, threshold, retrigger time and pad type. The Trigger|iO works plug-and-play with Mac and PC, and is powered by its USB connection when working with a computer. You can also wall-power it when working with non-USB MIDI sound sources.You can mount the Trigger|iO on virtually stand or rack using the optional E-Percussion Module Mount and integrate it cleanly into your drum set or percussion setup. The Trigger|iO comes with EZdrummer software drum module from Toontrack. EZdrummer has samples of real drum kits, a virtual mixer, and looping functions.The Trigger|iO enables you to play virtually any MIDI software or hardware with your electronic drum kit.

This natural-feeling rubber cymbal pad has the swing you're used to and almost none of the noise of an acoustic cymbal. It works with virtually all electronic drum modules and devices and mounts on most cymbal stands and mounts.

This natural-feeling rubber hi-hat pad has the feel you're used to and almost none of the noise of an acoustic cymbal. It works with virtually all electronic drum modules and devices and mounts on most cymbal stands and mounts. You can use it with any continuous or open/closed hi-hat control pedal.

This natural-feeling rubber cymbal pad has the swing you're used to and almost none of the noise of an acoustic cymbal. It has multiple triggering zones for up to three different sounds at the bow, bell, and edge. You can also grab the edge to stop the cymbal sound with this choke-able cymbal pad. It works with virtually all electronic drum modules and devices and mounts on most cymbal stands and mounts.

This velocity-sensitive drum pad gives you natural dynamic response with a soft, rubber head for realistic feel and rebound. Its dual-zone sensing enables you to trigger sounds from the head and and rim for rimshots or alternate rim sounds. It works with virtually all e-percussion modules and devices including the DM6, DM5, Trigger|iO, and ControlPad. It comes with rack clamp, L-arm, and cable

This velocity-sensitive drum pad gives you natural dynamic response with a soft, rubber head for realistic feel and rebound. It works with virtually all e-percussion modules and devices including th DM6, DM5, Trigger|iO, and ControlPad. It comes with rack clamp, L-arm, and cable.

This velocity-sensitive kick drum pad gives you natural dynamic response and its soft, rubber head provides realistic feel and rebound with your choice of virtually all single and double bass drum pedals and beaters. It has an integrated stand with adjustable spikes for holding its position on carpet and works with virtually all e-percussion modules and devices including the DM10, DM6, DM5, Trigger|iO, and ControlPad.NOTE: Pictured pedal and beater are not included

The DM10 Pro Kit is the product of extensive research and development efforts. Based around the completely new DM10 sound module, the DM10 Pro Kit features Alesis’ RealHead drum pads, SURGE Cymbals made of real cymbal alloy and an ErgoRack mounting system.You will immediately notice the DM10 module’s outstanding sound quality. This new drum sound module contains true drum, cymbal and percussion sounds, built from real samples of classic studio drums and prized cymbals. Drummers will find some of the most in-demand acoustic drum sounds from legendary drum brands, a huge arsenal of top producers' go-to snare drums, real American, Canadian, Chinese, and Turkish cymbals, and a choice selection of classic drum machine and electronic percussion sounds that have fueled the biggest hit records.

The AM3 is a stereo digital microphone for directly recording stereo audio into your computer. You can place the dual-capsule condenser mic into most environments and capture true stereo sound.The AM3 makes computer connection simple, requiring nothing more than a standard USB port on your Mac or PC. A built-in preamplification system coupled with an onboard stereo analog-to-digital converter ensures high quality audio recording to your DAW software of choice. And because the AM3 has a mini-USB jack output, there's no need for complicated interface boxes or timecode alignment between the two sides. One cable is all you need for this digital solution.

Professional–sounding podcasting for your Mac or PC has never been simpler or more affordable than with Alesis’ USB–Mic Podcasting Kit. Just plug the high–quality USB microphone into your computer (with no complicated drivers to install). The USB–Mic provides 16-bit / 44.1– 48kHz audio straight to your computer, and the Kit includes premium headphones for monitoring your session.The Alesis USB–Mic Podcasting Kit comes with a free 30–day subscription to Alesis’ custom podcast website, www.alesispodcast.com, to even make broadcasting and distributing your work a snap.

Upgrades HD24's analog inputs to support recording up to 96kHz analog sample rate.**HD24 must be running the latest Firmware prior to upgradin

HD24 Caddy ADAT-HD24 caddy

HD24 FirePort 1394 HD24/HD24XR FirePort

IEC Power Cable Power supply (MultiMix power supply)

Mounting plate for electronic percussion modules. Just add a multiclamp for stands or a rack clamp for racks, and you can mount your ControlPad, PerformancePad, or Trigger|iO to any drum hardware. Integrate your electronics into your acoustic setup, or expand your electronic kit.

P2 Power supply

P3 Power supply

P4 Power supply

P6 Power supply

PowerTrip 8 Rackmount 8 AC strip

Sustain Pedal Sustain pedal